In this section I demonstrate another popular aspect of the Sweep Picking Technique, 4-note Arpeggios. When I found these shapes I knew I had discovered a breakthrough on the guitar. What led me to these shapes was a huge desire to play two-octave arpeggios at virtually any speed and easily. This was previously impossible using alternate picking technique.

These shapes really broke me away from the conventional shapes for arpeggios and are the basis of what made my Sweep Picking Technique a revolution.
You can learn them too right here, right now and break through for yourself to limitless speed, fluidity and ease that this incredible Sweep Picking Technique enables you.

You can learn them too right here, right now and break through for yourself to limitless speed, fluidity and ease that this incredible Sweep Picking Technique enables you.

This chapter is dedicated to Sweeping triad shapes. Triads come in all manner of shapes and sizes. From 2-string 3-note triads all the way to 3-octave full sweeps across all six strings. They are a very musical device and well worth diligent study. They can be used over all types of chords and several different triads can be super-imposed over the same chord.

This section is all about taking these triad shapes and discovering how to use the Sweep Picking Technique to zoom through them effortlessly, smoothly and incredibly efficiently.
These ideas will be very valuable to you and continue to help you understand the inner workings of the Sweep Picking technique in a very musical setting.
ese ideas will be very valuable to you and continue to help you understand the inner workings of the Sweep Picking technique in a very musical setting.his section is all about taking these triad shapes and discovering how to use the Sweep Picking Technique to zoom through them effortlessly, smoothly and incredibly efficiently.